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and Valerius Maximus.] [Footnote 34: I could not express in English the forcible, though barbarous, title of _Zelator_ Italiæ, which Rienzi assumed.] [Footnote 35: Era bell' homo, (l. ii. c. l. p. 399.) It is remarkable, that the riso sarcastico of the Bracciano edition is wanting in the Roman MS., from which Muratori has given the text. In his second reign, when he is painted almost as a monster, Rienzi travea una ventresca tonna trionfale, a modo de uno Abbate Asiano, or Asinino, (l. iii. c. 18, p. 523.)] The ambition of the honors of chivalry [36] betrayed the meanness of his birth, and degraded the importance of his office; and the equestrian tribune was not less odious to the nobles, whom he adopted, than to the plebeians, whom he deserted. All that yet remained of treasure, or luxury, or art, was exhausted on that solemn day. Rienzi led the procession from the Capitol to the Lateran; the tediousness of the way was relieved with decorations and games; the ecclesiastical, civil, and military orders marched under their various banners; the Roman ladies attended his wife; and the ambassadors of Italy might loudly applaud or secretly deride the novelty of the pomp. In the evening, which they had reached the church and palace of Constantine, he thanked and dismissed the numerous assembly, with an invitation to the festival of the ensuing day. From the hands of a venerable knight he received the order of the Holy Ghost; the purification of the bath was a previous ceremony; but in no step of his life did Rienzi excite such scandal and censure as by the profane use of the porphyry vase, in which Constantine (a foolish legend) had been healed of his leprosy by Pope Sylvester. [37] With equal presumption the tribune watched or reposed within the consecrated