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[Footnote 32: See the Epistola Hortatoria de Capessenda Republica, from Petrarch to Nicholas Rienzi, (Opp. p. 535--540,) and the vth eclogue or pastoral, a perpetual and obscure allegory.] While Petrarch indulged these prophetic visions, the Roman hero was fast declining from the meridian of fame and power; and the people, who had gazed with astonishment on the ascending meteor, began to mark the irregularity of its course, and the vicissitudes of light and obscurity. More eloquent than judicious, more enterprising than resolute, the faculties of Rienzi were not balanced by cool and commanding reason: he magnified in a tenfold proportion the objects of hope and fear; and prudence, which could not have erected, did not presume to fortify, his throne. In the blaze of prosperity, his virtues were insensibly tinctured with the adjacent vices; justice with cruelly, cruelty, liberality with profusion, and the desire of fame with puerile and ostentatious vanity. [321] He might have learned, that the ancient tribunes, so strong and sacred in the public opinion, were not distinguished in style, habit, or appearance, from an ordinary plebeian; [33] and that as often as they visited the city on foot, a single viator, or beadle, attended the exercise of their office. The Gracchi would have frowned or smiled, could they have read the sonorous titles and epithets of their successor, "Nicholas, severe and merciful; deliverer of Rome; defender of Italy; [34] friend of mankind, and of liberty, peace, and justice; tribune august:" his theatrical pageants had prepared the revolution; but Rienzi abused, in luxury and pride, the political maxim of speaking to the eyes, as well as the understanding, of the multitude. From nature he had received the gift of a handsome person, [35] till it was swelled and disfigured by intemperance: and his propensity to

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