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hands of the enemy, languished away his life in hopeless captivity. The emperor Gallienus, who had long supported with impatience the censorial severity of his father and colleague, received the intelligence of his misfortunes with secret pleasure and avowed indifference. "I knew that my father was a mortal," said he; "and since he has acted as it becomes a brave man, I am satisfied." Whilst Rome lamented the fate of her sovereign, the savage coldness of his son was extolled by the servile courtiers as the perfect firmness of a hero and a stoic. It is difficult to paint the light, the various, the inconstant character of Gallienus, which he displayed without constraint, as soon as he became sole possessor of the empire. In every art that he attempted, his lively genius enabled him to succeed; and as his genius was destitute of judgment, he attempted every art, except the important ones of war and government. He was a master of several curious, but useless sciences, a ready orator, an elegant poet, a skilful gardener, an excellent cook, and most contemptible prince. When the great emergencies of the state required his presence and attention, he was engaged in conversation with the philosopher Plotinus, wasting his time in trifling or licentious pleasures, preparing his initiation to the Grecian mysteries, or soliciting a place in the Arcopagus of Athens. His profuse magnificence insulted the general poverty; the solemn ridicule of his triumphs impressed a deeper sense of the public disgrace. The repeated intelligence of invasions, defeats, and rebellions, he received with a careless smile; and singling out, with affected contempt, some particular production of the lost province, he carelessly asked, whether Rome must be ruined, unless it was supplied with linen from Egypt, and arras cloth from Gaul. There were, however, a few short moments in the