Licensee of Baxter. GEORGE CARGILL LEIGHTON, after duly serving his apprenticeship with Baxter, entered the business of Gregory, Collins & Reynolds in 1847, and soon afterwards became proprietor. This firm was producing Colour Prints from Wood blocks of a mediocre kind. Upon Leighton joining the firm, improvement was effected in the work by his simply adopting an exact replica of Knight's methods, i.e. the engraving and printing of ground plates, and portions of the pictures engraved with wood-cut blocks for partly printing the various tints and colours; finally adding the completely engraved Wood- cut in black to give definition and outline to the picture. It is apparent therefore that Leighton did not claim originality or inventive faculty for his Process. Leighton died at Highgate in 1895. If you desire to obtain specimens of Gregory, Collins & Reynolds' Licensee and other Printers 1 1 and Leighton's works, the following are a few books in which examples can be found : Bishop Heber's "Palestine" (Clark & Co., 1843). A. Suckling's "Memorials of Some Essex Churches and Parishes" (Weale, 1845). Peter Parly's " Annuals " (1849 and other dates). Jane Austen's "Pride and Prejudice." Countess Hahnhiahn's " Ulrich." Art Journal, 1851. Knight's Old England (Sangster's Keprint Edition). Thomas Miller's " Village Queen." Barnard's "Landscape and Water Colour Painting" (1858), Fields and Woodlands and Pictorial Beauties of Nature (Ward & Lock, 1873).